ABSTRACT
What grips us so powerfully to a work of art is the artist's intention, if he succeeds to express it in his work and we are able to understand it. Michelangelo's Moses established the essential structures of an animate organism and the embodiment of consciousness in the world. Since the body is an expressive unit, it is possible to reconstruct a highly feasible sequence of movements that might have preceded the moment caught in the statue. It is an expression of the highest ideal of mental and spiritual achievement through the controlled tension between action and restraint. The phenomenon of embodiment and feeling the body as own is the basis of concrete human existence.
Subject(s)
History, 15th Century , History, 16th Century , Humans , Anatomy, Artistic/history , Human Body , Sculpture/history , Medicine in the ArtsABSTRACT
Los autores reseñan las características del material que encierra el museo Ara, creado en 1878, que lleva el nombre de uno de los más destacados taxidermistas, el Dr. Pedro Ara, autor de las tareas de conservación del cadáver de Eva Perón. El museo Ara posee una de las colecciones más importantes del mundo en diafanizaciones y recibe las visitas de expertos de todas partes que desean consultar sobre su valioso patrimonio.